The Old Ceremony, The Love Language

The Haw River Ballroom Presents

The Old Ceremony

The Love Language

Sat, April 12, 2014

Doors: 7:30 pm / Show: 8:00 pm (event ends at 10:30 pm)

Haw River Ballroom

Saxapahaw, NC

$10.00 - $12.00

The Old Ceremony
The Old Ceremony
A DECADE OF THE OLD CEREMONY:
The Old Ceremony draws plays lush, literate rock. With ten years of touring the US, Canada, and Europe and seven albums under their belt, the Durham/Chapel Hill, NC band occupies its own darkly lit corner of the musical world. It is a corner filled with ominous rumblings and world-weary but hopeful characters.

They have played with lots of well-known bands. Rock critics have written about them in their publications. TOC's newest album, Fairytales and Other Forms of Suicide, was released Aug 21, 2012 on Yep Roc Records.

Their newest album (to be released on Yep Roc later this year) is currently being mixed by Mitch Easter and includes an appearance by REM's Mike Mills.

TOC is led by songwriter Django Haskins, and includes drummer Dan Hall, vibes/organist Mark Simonsen, bassist Shane Hartman, and violinist/keyboardist Gabriel Pelli.
The Love Language
The Love Language
The Love Language, initiated by Stuart McLamb, is a fortunate by-product of the North Carolina native's rudderless mid-20s, where a tempest of breakup, inebriation, and incarceration found the abandoned songwriter embarking on a storage-space recording project to slow his seeming disintegration. The growing body of emotional fight songs, committed to MP3 with a high-school era multitrack recorder, became postcards from exile, a way to let his friends and former flames know he was getting along, battered but not beaten. The self-immolating beauty of the budget correspondences was exhausting and triumphant; McLamb's dalliances with rejection and redemption would be minted in a self-titled debut on Portland independent label Bladen County in March of 2009.

Soon afterwards, the mighty ensemble band version of The Love Language-a dysfunctional symphony of musical vagrants-disbanded to pursue personal projects. McLamb, who had roamed the state since recording The Love Language, moved back to Raleigh where Libraries engineer/producer BJ Burton adopted the one-man band and helped harness the extraordinary might generated during these sessions. Among the moments captured on Libraries are Spector-esque walls of reckless sound, cavernous drums, middle-school percussion, and moody swells of stringed instruments, all decorated hastily with stray leads, which bleed beautifully all over everything.

The effective average of McLamb's madness and Burton's discipline rendered an album in the classic sense, in which no song is expendable and no passage is without purpose. With Libraries, McLamb transitioned from a guy who could write a good album to an individual who can maintain a good band. The sooner we listen, the sooner we may figure this whole love thing out.
Venue Information:
Haw River Ballroom
1711 Saxapahaw-Bethlehem Church Road
Saxapahaw, NC, 27340
http://www.hawriverballroom.com/